Why Are Dystopian Films on the Rise Again
Film, OldVenue
The Rise of the Dystopian
It would exist fair to say that in recent times Hollywood has definitely capitalised on the success of the dystopian genre amongst adolescents by producing such box part successes as The Hunger Games, Maze Runner & Divergent (all adapted from popular literary series) and with The fifth Wave set to release in 2016, there are no signs that the popularity of dystopian films is waning. But what exactly is and then captivating near dystopian films, particularly those geared towards young adult audiences?
One thing to consider is that the media, particularly visual media, can act as a mirror, reflecting current events occurring in our own gild, and projecting them onto the big screen to achieve wider audiences. Dystopian films allow for a commentary on social and political events that are relevant to our own society, without directly referencing the current state of affairs, past drawing upon parallel universes. These universes oftentimes confront comparable problems to our own society, but at a higher extremity and this increased intensity is oft appealing to the boilerplate movie theatre goer looking for a dramatic performance.
The Hunger Games, for instance, reflects the 'pageant' nature of a cracking deal of (particularly western) reality television programmes, in which individuals compete for the nations favour. In this case, the level of drama is increased by choosing to draw children fighting to the death, even so it is not so dissimilar from adults cohabiting in restricted settings to win monetary prizes (Big Brother) or surviving in isolated environments and completing challenges designed to illicit fearful responses (I'm A Celebrity). In particular The Hunger Games draws attention to the parasitic nature of the media in general, who are more concerned with scandal and drama (Katniss & Peeta's relationship, or what Katniss is wearing) as opposed to true tragedies and events (for example the fact that each yr children are dying for entertainment in the games).
Following the aforementioned trend, Maze Runner is based effectually the notion that the globe has been ruined by a harsh climate and disease plaguing the land (the earth is in ruins and the homo race is dying out). This could be seen to reflect many disease 'epidemics' that concern club today (Ebola existence a recent example which received much media attention) and society's relative apathetic mental attitude toward climate change and the repercussions of changing meteorological conditions.
Immature adult dystopian films may also take an appeal because they tend to follow a youthful 'underdog' – someone who faces many similar problems to those that young people today face (i.e. forming relationships, 'fitting in', the uncertainty of adult life, the oppressive nature of institutions or dominance figures), but with added dramatic effect for entertainment purposes. Young adult dystopias frequently reflect how an older generation has destroyed or corrupted civilization. They follow how younger people must overcome the obstacles created past previous societies, who may have but been concerned at the time by brusk term furnishings, as opposed to long term solutions and this is appealing to more forward thinking and liberal younger generations.
Additionally, dystopian films resonate with left-wing anarchists, too equally those who are perhaps paranoid about government control. A simple cyberspace search can reveal the current moral crises concerning surveillance monitoring, and dystopias really capitalise on this notion of extreme regime control. Such films usually describe an omnipresent, omniscient regime that does not allow for private thoughts and feelings that go against the narrative they are trying to convey. This has existent world application with regards to concerns about the status of freedom of speech and the current land of political correctness that exists in today's society. Therefore, dystopian films let an outlet for such fears to exist voiced, and allows the viewer to draw the parallel between fiction and reality themselves, and ultimately poses the question – what if this were to happen to us?
Finally, something about disaster & dystopian films is intrinsically alluring; it may appeal to the man inclination to survive despite all odds, and ultimately dystopias are enticing considering, usually, at that place is at least 1 survivor. Despite pregnant challenges, individuals, peculiarly young, teenage, individuals practice actually survive. Such an effect offers hope in what can seem like uncertain times, and this is critically of import when attempting to face problems in our own social club in the current social and political climate.
Notice: Trying to access array showtime on value of type null in /home/wp_35pmrq/concrete-online.co.united kingdom/wp-content/themes/citynews/tpl/tpl-related-posts.php on line eleven
Notice: Trying to admission array offset on value of blazon null in /home/wp_35pmrq/concrete-online.co.britain/wp-content/themes/citynews/tpl/tpl-related-posts.php on line 26
Source: https://www.concrete-online.co.uk/the-rise-of-the-dystopian/
0 Response to "Why Are Dystopian Films on the Rise Again"
Post a Comment